Exhibitions – Paul Glabicki

Mattress Factory installation view: “This Is Just That” (1990)

Selected SOLO EXHIBITIONS/FILM SCREENINGS 1986 – present:
1986:         Donnell Library Center. New York Public Library; Recent Films and Film Studies, New York, New York.
1987:         Los Angeles Film Forum. Films and Drawings; Los Angeles, California.
1987:         California Institute of the Arts. Films and Drawings; Valencia, California.
1987:         Osaka Designer’s College. Films and Drawings; Osaka, Japan.
1987:         Image Forum, Tokyo. Films and Drawings; Tokyo, Japan.
1987:         Edinboro University. Films and Drawings; Edinboro, Pennsylvania.
1988:         Currier Gallery of Art. Films, Drawings, Works-in-Progress; Manchester, New Hampshire.
1989:         Tokyo Designer’s College. Films and Drawings; Tokyo, Japan.
1989:         Image Forum, Tokyo. New Works in Film and Drawing; Tokyo, Japan.
1989:         Osaka Designer’s College. New Works in Film and Drawing; Osaka, Japan.
1989:         International House of Japan. Films and Drawings; Tokyo, Japan.
1989:         Carnegie Museum of Art. Section of Film and Video; New Work in Film; Pittsburgh, Pennsylvania.
1990:         Carnegie Mellon Art Gallery. Films, Paintings, and Drawings; Pittsburgh,
Pennsylvania.
1990:         1414 Monterey Gallery/The Mattress Factory. “This is Just That,” an Installation Piece; Pittsburgh, Pennsylvania.
1991:         Carnegie Museum of Art. Section of Film and Video; FilmFront Series: Film Retrospective; Pittsburgh, Pennsylvania.
1991:         Forum Gallery/Carnegie Museum of Art. Work in Computer Animation, Drawing, and Installation; Pittsburgh, Pennsylvania.
1991:         Arizona Center for Media Arts. The Screening Room; New Films; Tucson, Arizona.
1992:         Itoki Gallery. Visible Art Today series: Glabicki: Works in Video and Art; Hiroshima, Japan.
1993:         Cinematograph-Filmverleih. Films and Computer Animation; Innsbruck, Austria.
1993:         Moviemento. Films and Computer Animation; Linz, Austria.
1993:         Kino im Augarten. Films and Computer Animation; Graz, Austria.
1993:         Academy of Applied Arts of Vienna. Films and Computer Animation, Video Installation; Vienna , Austria.
1993:         Filmcasino Theater. Film Retrospective; Vienna, Austria.
1993:         Rochester Institute of Technology. Films, Drawings, Computer Animation; Rochester, New York.
1995:         Center For Contemporary Arts. Installation of Computer Animation, 3D Projection of Computer-Generated Memory Spaces; Cincinnati, Ohio.
1997:         Film Gallery: Carnegie Museum of Art. “Artist’s Films from the 1960s and 1970s: Films of Paul Glabicki;” Carnegie Museum of Art, Pittsburgh, Pennsylvania.
2001:         Pittsburgh Center for the Arts. “Artist of the Year – 2001,” installation and premiere of computer animation video piece FULL MOON.
2002: Hiroshima 2002. The International Animation Festival of Japan; Aster Plaza Cultural Arts Center; installation of FULL MOON and RED FENCE; Hiroshima, Japan.
2009:         Kim Foster Gallery. “Accounting for…” Drawing series; New York, New York.
2012:         Kim Foster Gallery. “Order” Drawing series; New York, New York.
2014:         Kim Foster Gallery. “Relativity” Drawing series; New York, New York
2016:         Kim Foster Gallery. “The Light” Drawing series; New York, New York

2019: Kim Foster Gallery. “Land and Scene,” works from the “Topography” and “10 Scenes” drawing series; New York, New York.

Selected GROUP EXHIBITIONS/FILM SCREENINGS 1984 – present:
1984:         Image Forum. Tokyo, Japan.
1985:         Santa Fe Film Exposition Invitational. Center for Contemporary Arts; Santa Fe, New Mexico.
1985:         Neighborhood Film Project. International House; Philadelphia, Pennsylvania.
1985:         Hirshorn Museum. New American Independent Cinema; Washington D.C.
1985:         Masterpiece Film Series. MetroArts Program at the William Penn Museum; Harrisburg, Pennsylvania.
1985:         Hiroshima ‘85: The International Animation Festival of Japan; Hiroshima, Japan.
1985:         Thomas Edison Black Maria Film and Video Festival National Touring Program.
1986:         The Stuttgart Animation Festival. New American Animation; Stuttgart, Germany.
1986:         Thomas Edison Black Maria Film and Video Festival National Touring Program.
1986:         Stanford University.  “Pixels and Predicates” curated and presented by Larry Cuba, Ventura Hall, Sandford, California.
1987:         Whitney Biennial. The Whitney Museum of American Art; New York, New York.
1987:         Santa Fe Film Exposition. Center for Contemporary Arts; Santa Fe, New Mexico.
1987:         Whitney Biennial Film and Video National Touring Program.
1987:         Hirshorn Museum. New American Cinema; Washington D.C.
1987:         The American Film Institute. Los Angeles, California.
1987:         The Seattle International Film Festival. Seattle, Washington.
1987:         Pacific Film Archive. Recent American Animation; University Art Museum, Berkeley, California.
1988:         The American Museum of the Moving Image. American Independent Animated Film: A Retrospective; Astoria, New York.
1988:         Hans Richter 100th Anniversary Tribute. Curated by Cecile Starr; The Goethe House, New York
1988-89: Dartmouth College. Programs: Hans Richter and Beyond, and American Independents: A Change of Perception; Hopkins Center, Hanover, New Hampshire.
1989:         Museum of Art: Oviedo. New Animation; Oviedo, Spain.
1989:         World Animation Festival in Jean Jean. Naha City, Okinawa, Japan.
1989:         Studio 200. Film Retrospective; Tokyo, Japan.
1989:         The 3rd Itabashi International Animation Festival. Itabashi, Japan.
1989:         27th New York Film Festival. Premiere of the film UNDER THE SEA ; Lincoln Center, New York.
1990:         Bombay International Film Festival. Bombay, India.
1990:         International Animated Film Festival of Stuttgart. Stuttgart, Germany.
1990:         Thomas Edison Black Maria Film and Video Festival National Touring Program.
1990:         Deson/Saunders Gallery. Pittsburgh Today: Painting and Drawing; Curated by Elaine King; Chicago, Illinois.
1990:         Santa Fe Film Exposition. Contemporary Arts Center; Santa Fe, New Mexico.
1990:         New York University. Classics of American Film Program; ASIFA-East and the Tisch School of the Arts.
1990:         Hiroshima ‘90: The International Animation Festival of Japan. Hiroshima, Japan.
1990:         Deson/Saunders Gallery. Eclipse of Meaning: Paintings and Drawings by Paul Glabicki, Charles B. Luce, and David Russick; Chicago, Illinois.
1990:         San Francisco Cinematheque. Ink, Pixel, Xerox, and Clay: New Animated Films; San Francisco, California.
1990:         24th Annual New York Film Exposition of Short Film and Video.
1991:         Society of Animation Studies. American Animated Films; George Eastman House, and the Rochester Institute of Technology.
1992:         Penelic-Bowman-Megan Art Gallery. Electronic Expressions, Invitational Exhibition of Computer Art; Allegheny College, Meadville, Pennsylvania.
1993:         Austria Filmmakers Cooperative. Abstract +/- Figurative Films; Austria Filmmakers Cooperative and ASIFA Austria; Vienna, Austria.
1993:         Brooklyn College. New Computer Art; Curated by Rene LeWinter; Brooklyn, New York.
1994:         Zagreb ‘94:11th World Festival of Animated Films. Festival Anniversary Invitational Program; Zagreb, Croatia.
1994:         Japan Industrial College. Group Animation Show ; curated by Sayoko Kinoshita; Tokyo, Japan.
1995:         Susquehanna Art Museum. Emerging Images: Art by Computer; Harrisburg, Pennsylvania.
1996:         Hiroshima ‘96: The International Festival of Animated Film of Japan. Fine Art Animation Program; Hiroshima, Japan.
1996:         Pittsburgh Biennial. Pittsburgh Center for the Arts; Pittsburgh, Pennsylvania.
1997:         Mattress Factory. “Process: Documentation and Fragments from the Mattress Factory Archives,” 1414 Monteray Galleries; Pittsburgh, Pennsylvania.
1997:         Mattress Factory. 20th Anniversary Art Exhibition and Auction. Mattress Factory, Pittsburgh, Pennsylvania, and Sotheby’s, New York.
1997:         Musashino University of Art. Tokyo, Japan.
1998:         University of Rome. “Metamorfosi: The Films of Paul Glabicki, Pat O’neill, and Jordan Belson;” Rome, Italy.
1998:         Mostra Internazionale del Nuovo Cinema. “Animania: A Retrospective of American Experimental Cinema;” Pesaro, Italy.
1998:         Holland Animation Film Festival. “Animation Survey: USA;” curated by George Griffin; Utrecht, Holland.
1998:         Kyoto College of Art. “Experimental Animation;” curated by Sayoko Kinoshita; Kyoto, Japan.
1999:         Fundacio Antoni Tapies. “Cine Calculado: Revision de Los Origenes y Pioneros de La Animacion por Ordenador;” curated by Eugeni Bonet; Barcelona, Spain; also traveled to Filmoteca de Zaragoza, Diputacion Provincial de Granada, and Museo Nacional Centro de Arte Renia Sofia, Madrid.
1999:         Central Arts. “MA(R)KING;” a survey of artist mark making in 1999; curated by Elaine King; Tucson, Arizona.
1999 Global Multimedia Interface, Leicester Square, London. Outdoor/
public LED display of computer animation works RED FENCE (1999) , and DARK                ROOM/SIMPLE ROOF (1998); a project of FACT: the Foundation for Art and Creative Technology, Liverpool, United Kingdom.
2000:         Art in Motion; The International Festival of Time-Based Media; The USC School of Fine Arts; University of Southern California.
2000:         Black Maria Film and Video Festival 2000. National Touring Program.
2000:         KINETICA 2: The Oskar Fischinger Centennial Celebration. Presented by the Iota Center, and the Motion Picture Academy of Arts and Sciences: the Museum of Modern Art, New York; Los Angeles County Museum of Art, Los Angeles: National Gallery of Art, Washington, DC; Pacific Film Archive, Berkekey, California.
2000:         Pittsburgh Biennial; Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania.
2000:         Regina Gouger Miller Gallery. “Fusion: Artists in a Research Setting,” Carnegie Mellon University, Pittsburgh, Pennsylvania.
2001:         Experience Music Project. “The Iota Collection: Experimental Animation 1970-1989;” curator: Larry Cuba, Iota Center, Los Angeles; Seattle, Washington.
2001:         Oberhausen International Film Festival. Performance of “The Prolonged Present,” by sound artist Paul Miller, featuring his sound remixes, and animation sequences by Paul Glabicki; Oberhausen, May 7, 2001, Germany.
2001:         Northwestern University. “Stereo Images,” and screening/installation of RED FENCE; in conjunction with the symposium “Immersive Environments,” curator: Annette Barbier; Chicago, Illinois.
2001 KINETICA 3: BARDO and the Contemporary Program. Presented by the Iota Center,  Los Angeles; International Tour: University of Southern California; Pacific Film Archive, Berkeley; Museum of Modern Art, New York; Cinematheque Ontario, Toronto; Harvard Film Archive, Cambridge; High Museum of Art, Atlanta; Anthology Film Archives, New York; Northwest Film Forum, Seattle; Centre Pompidou, Paris; and the National Gallery of Art, Washington, D.C.; Norwegian Film Festival, Grimstad Kulturhus; Paradiso, Amsterdam; Lux/The Other Cinema, London; Cambridge Film Festival, Cambridge, UK; Duke of York Picturehouse, Brighton, UK.
2001:         Artists Image Resource, Inc., Foreland Street Gallery. “Photographs by Artists,” an invitational exhibition curated by Robert Raczka; Pittsburgh, Pennsylvania.
2001:         Schneider Museum of Art. “Contemporary Animation,” an exhibition of animation and animation artwork; curator: Miles Inada; Southern Oregon University, Ashland, Oregon.
2001:         San Francisco Art Institute. “Canyon Cinema: 35th Anniversary,” a screening of works from the Canyon Cinema collection; curator: Dominic Angerame, Executive Director; San Francisco, California.
2001:         SOMARTS Cultural Center. “Saint Rubidium’s Temple,” multi-media installation; San Francisco, California.
2002:         Pittsburgh Dance Alloy. “New Directions: Dance + Video,” Dance Alloy’s Neighborhood Dance Center; Pittsburgh, Pennsylvania.
2002:         MAK Center for Art and Culture. “Markings,” a program of experimental animation; Schindler House, West Hollywood, California.
2002:         Jeonju International Film Festival. “American Experimental Animation,” curated by Seung-il Chon and Dong-Jin Seo, in conjunction with Canyon Cinema; Jeonju, South Korea.
2002:         Hiroshima 2000. “Japan Seen Through the Eyes of Non-Japanese Artists,” International Animation Festival of Japan; Hiroshima, Japan.
2002:         CINEMATH 2002. 20th Mathematical Sciences Research Institute (MSRI) Mathematics Film Festival; co-curated by Robert Osserman and Michael Singer; Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, California.
2002:         Gwangju International Film Festival. “International Experimental Film and Video,” an invitational exhibition curated by Kim Ll-tae; Gwangju, South Korea.
2002 KINETICA 4: Abstraction, Animation, and Music. Presented by the Iota Center, Los Angeles; curated by William Moritz; 2002-03 International Tour: Pacific Film Archive, Berkeley; Anthology Film Archives, New York; Los Angeles County Museum of Art; Harvard Film Archive, Cambridge; Cinematheque Ontario, Toronto; Northwest Film Forum, Seattle; Videoex Festival, Zurich, Switzerland; 5^thBrisbane International Film Festival, Brisbane Australia; International House, Philadelphia.
2004:         ANIMADRID 2004. V Festival Internacional de Imagen Anima, Pozuelo de Alarcon, Madrid, Spain.
2004:         Museum of Modern and Contemporary Art, Strasbourg. “Experimental Animated Cinema,” curated by Olivier Cotte; place Hans Jean Arp, Strasbourg, France.
2004:         AUDIO VISUAL ENCOUNTERS. “Visions of Japan: Animation, Fiction, and Experimental,” the International Festival of New Media; curated by Julien Dusouchet, Lille, France.
2005:         Anthology Film Archives. “Paul Sharits and Paul Glabicki,” a program of the “Crossroads” series, curated by Robert Haller; New York, New York.
2005:         DAUMENKINO (The Flip Book Show). A international exhibition of flip books created by170 artists and filmmakers (1900 – 2005), Kunsthalle Dusseldorf, Dusseldorf, Germany.
2006:         Boston Cyberarts Festival: Visual Music Marathon. Curated by Bruce Wands, School of Visual Arts and New York Digital Salon, and Larry Cuba, IotaCenter; Northeastern University, Boston.
2007:         Carnegie Museum of Art. “The Popular Salon of the People,” curated by Vicky Clark; Pittsburgh, PA.
2008:         Musee-Chateau d’Annecy. “L’espirit d’Emile Cohl/The Spirit of Emile Cohl,” an invitational exhibition curated by Maurice Courbet; Musee’Chateau d’Annecy, Annecy, France.
2008:         Kim Foster Gallery. “Gallery Goulash,” a exhibition of gallery artists; Kim Foster Gallery, New York, New York.
2008:         DRAWN TO LIFE: Reanimating the animate. Curated by Stoffel Debuysere and Maria Palacios Cruz, event organized by Atelier Graphoui, Maison des Cultures Saint-Gilles; Brussels, Belgium.
2009:         Kim Foster Gallery. “DrawingPainting,” a group exhibition of seven artists; New York, New York.
2009:         Visual Music Marathon. “Works from the IotaCenter,” curated by Larry Cuba; School of the Visual Arts, New York, New York
2009:         UCLA Design/Media Art Department. “iotaSalon: Strategies of Abstraction,” a group film exhibition presented by the iotaCenter; Broad Art Center, UCLA, Westwood, California.
2009-10: Canadian Center for Architecture. “Intermission: Films from a Heroic Future,” a group exhibition selected by curators from the Smithsonian, the National Film Board of Canada, NASA, and UBUweb; Montreal, Canada.
2010:         Kim Foster Gallery. “Drawings Continued,” a 3-person exhibition with artists Diane Samuels and William Brovelli; New York, New York.
2010:         Eyeworks Festival of Experimental Animation. DePaul University School of Cinema & Interactive Media, Chicago, Illinois.
2011:         Islip Art Museum. “Secret Message,” curated by Karen Shaw, work provided courtesy of Kim Foster Gallery; Islip, Long Island, New York.
2012:         Kim Foster Gallery. “Selections: Summer 2012,” a group exhibition of gallery artists; New York, New York.
2013:         National Gallery of Art. “Cine-Concert: Abstract Animation Since 1970;” curated by Sharon Louden; Washington, DC.
2013:        Kim Foster Gallery. “Particle Physical,” a group show; curator: Antonio Petracca.
2013-14: ZKM/Museum of Contemporary Art. “SCHRIFTFILME: Script as Image in Movement;” curators: Dr. Bernd Scheffer, Dr. Christine Stenzer, Dr. Soenke Zehle, and Peter Weibel; a collaborate project and exhibition of ZKM/Center for Art and Media Karlsruhe, Germany, FACT Foundation for Art and Creative Technology Liverpool, UK, and Goethe Institutes worldwide.
2014:         National Gallery of Art Vilnius. “TYPEMOTION: Type as Image in Motion;” Vilnius, Lithuania.
2014-15: FACT/Foundation for Art and Creative Technology. “TYPEMOTION;” Liverpool, UK.
2014:         Kim Foster Gallery. “Sequential Abstraction;” New York, New York.
2014:         Art Miami: CONTEXT. Participating Gallery: Kim Foster Gallery (New York), Miami, Florida.
2015:         National Taiwan Museum of Fine Arts. “TYPEMOTION: Type as Image in Motion;” Gallery 103-107, Gallery Street, Taiwan.
2015:         The Great Wall of Oakland. “WRIT LARGE: A Festival of Text;” curators: Timothy Furstnau, Liat Berdugo, and Rose Linke; artists included Paul Glabicki, Marcel Duchamp, Eduardo Kac, Claire Walka, John Fekner, W. Mark Sutherland, bpNichol, Oliver Harrison, Pavel Pavlov, and Augusto DeCampos; Broadway & W. Grand Avenue, Oakland, California, December 5, 2015.
2016:         WRIT LARGE: Highlights of the 2015 Programs of the Great Wall of Oakland; curated by Timothy Furstnau; University of California Santa Cruz.
2017:         Tate Modern. “Independent Frames: American Experimental Animation in the 1970s – 1980s;” curated by Herb Shellenberger; London, UK, February 17 -19, 2017.
2017:         Irish Film Institute. Selections from “Independent Frames: American Experimental Animation in the 1970s – 1980s;” curated and presented by Herb Shellenberger; Dublin, Ireland, February 23, 2017.
2017:         Birkbeck Cinema. “The Rise of Ruin Cinema: Experimental Filmmaking in the US Rust Belt, 1970s -1980s;” curated and presented by Ben Ogrodnik; 43 Gordon Square, London, UK, December 2, 2017.
2018:         Lightbox Film Center. “Independent Frames: American Experimental Animation in the 1970s -1980s;” curated and presented by Herb Shellenberger, Philadelphia, PA, January 19 – 20, 2018.
2018:         Elaine L. Jacob Gallery. “HUMAN/NATURE: Selections from the Kim Foster Gallery Collection;” curated by Juana Williams; Wayne State University and the James Pearson Duffy Department of Art and Art History, Detroit, Michigan; January 19 – March 23, 2018.
2018:         QUAD Cinema. “Independent Frames: American Experimental Animation in the 1970s – 1980s;” curated and presented by Herb Shellenberger; 34 W 13^thStreet, NY; February 2 – 4, 2018.
2018:         Lehman College Art Gallery. “TICK-TOCK: Time in Contemporary Art;” curated by Bartholomew F. Bland; Bronx, NY, February 20 – May 5.
2018:         IX Mostra de Cinema Periferico. “Lux Algebra,” session: “Meter and Rhyme;” A Coruna, Spain; May 25 – June 6, 2018.
2018:         EXiS 2018: Experimental Film and Video Festival in Seoul. “EX-Now Program: American Experimental Animation;” curated and presented by Motion Picture Academy Preservationist Mark Toscano; Korean Film Archive and Art Sonje Center, Seoul, South Korea, August 12 – 19, 2018.